Silver coins

On the reverse centrally, a figure of a kneeling veiled woman with her face hidden in her hands, at the top fragments of the images of two German soldiers.

On the reverse centrally a stylised image of the obverse of 100 Ducats of King Sigismund Vasa,

On the reverse centrally, a stylised image of the bust of Sigismund the Elder (in profile), wearing a crown, a lace ruff, armour and a buckled coat; a chain with the Order of the Golden Fleece over King’s neck. At the top, a semi-circular inscription: SIGISMUN-DUS PRIMUS ended with a dot

On the reverse centrally, against the surface of the stylised wall, a figure of a woman painting the symbol of Fighting Solidarity

On the reverse against the background of the Baroque interior of the Dome Room of the Ossoliński National Institute in Wrocław, a bust of its founder, Józef Maksymilian Ossoliński.

On the reverse on the left, a portrait of the hero of the Battle of Zadwórze, Konstanty Zarugiewicz, wearing a uniform and a cap; at the bottom, a semi-circular inscription against the portrait: KONSTANTY ZARUGIEWICZ

On the reverse on the right, an effigy in profile of a pre-war activist of the Society, dressed in “czamara” (a coat) and wearing a four-cornered hat with a feather on his head. On the left, an image of the Society’s emblem – a falcon in flight, holding a dumbbell in its talons.

On the reverse on the left, an image of a cross, with nine small miner’s lamps hung on it, placed in a breach in the stylised fragment of the wall of the coal mine.

On the reverse centrally, on a separated area, a stylised image of the reverse of the thaler of King Stephen Bathory, with the image of a crowned Eagle, with a shield bearing the coat-of-arms of the House of Bathory on its chest; on the right-hand side, a partly obscured semicircular inscription: MAG+DVX+LITV.

On the reverse centrally, a portrait of General Józef Haller, in a uniform and military hat, at the bottom, against a stylised flag of Poland, the inscription: JÓZEF / HALLER

On the reverse on the right, a transposition of the fragment of the self-portrait of Olga Boznańska. In the background, on the left – a fragment of a palette, whose shape refers to one of the preserved palettes of the painter.

On the reverse: centrally, a stylised image of a female hammer thrower, around her elements that symbolise the spin of the athlete, decorated with ornaments that relate to the fauna and flora of Brazil. Above the female athlete, a Polish Olympic Symbol. Along the left-hand edge, anticlockwise from top, an inscription: POLSKA REPREZENTACJA OLIMPIJSKA RIO 2016 (Polish Olympic Team Rio 2016).