On the reverse at the top, stylised silhouettes of cavalrymen; on the right, partially against their background, a fragment of the sitting figure of Colonel Władysław Belina-Prażmowski in uniform, the commander of the cavalry brigade which captured Vilnius in 1919.
On the reverse on the right, portrait of Wojciech Trąmpczyński, the Marshal of the Legislative Sejm; on the left, the head of his Marshal’s staff featuring a boat riding high sea waves, with a crowned eagle, perched on an oak wreath, surmounting its mast.
On the reverse centrally, a stylised image of a tree with roots, with the left part of the tree relating to the world of digital technology and the right part of the tree depicting branches with leaves. Along the rim, an inscription reading clockwise from the bottom: 100. ROCZNICA PODPISANIA DEKRETU O ARCHIWACH PAŃSTWOWYCH (100th Anniversary of the Signing of the State Archives Decree).
On the reverse on the right, the images of two trumpeters from the orchestra of the Third Greater Poland Uhlans Regiment on horseback. On the left, a stylised fragment of a map illustrating the shifting frontlines of the Greater Poland Uprising; on the map, above the inscription: POZNAŃ, the date: 27 XII 1918.
On the reverse centrally, an image of the bust of Hieronim Dekutowski; on the left, an image of the order of Virtuti Militari, and along the rim, a semi-circular inscription reading clockwise: HIERONIM DEKUTOWSKI “ZAPORA” / 1918-1949.
On the reverse centrally, an image of a fragment of the facade of the building of the Juliusz Słowacki Theatre in Cracow with the dome and an outline of a further part of the building. Along the rim, a separated area with an inscription at the top: 125-LECIE DZIAŁALNOŚCI TEATRU (125th Anniversary), and at the bottom: IM. JULIUSZA SŁOWACKIEGO W KRAKOWIE (of the Juliusz Słowacki Theatre in Cracow).
On the centrally, the images of the busts of woman and man using touch screens, on their left an inscription: MY POLACY (We Poles), on their right: DUMNI / I / WOLNI (proud / and / free). In the background, the outlines of the Royal Castle and the Belvedere Palace in Warsaw, stylized skyscrapers and images of the Order of the Polonia Restituta and the Order of the White Eagle; at the top, on the right a fragment of the inscription: SOLIDARNOŚĆ (Solidarity). In the lower part of the coin, on the left and on a separated area in the shape of a stylised fragment of a rectangle – an inscription: 1918 / 2018 and next to it, a 2D barcode and on its right, a graphic element inspired by it.
On the reverseon the left, a stylised image of the shilling with an image of the bust of John Casimir Vasa in laurel wreath, facing right; on the left, a semi-circular inscription: IOAN·, on the right, an inscription: CAS·REX and, in the lower part, an inscription: T·L·B. At the bottom, on the right, partially covered by the image of the shilling is a fragment of a stylised obverse of the tymf with the monogram: ICR below the crown, surrounding the monogram, in two circles there are partially visible inscriptions: DAT:PRETIVM:SERVATA:SALVS / POTIORQ3· METALLO EST·. Along the edge of the coin, a semi-circular inscription reads clockwise from the left: BORATYNKA, TYMF JANA KAZIMIERZA.
On the reverse on the left, a fragment of the image of a hussar on horseback, in full armour, wearing a leopard pelt, holding a wheel-lock arquebus, against the background of a rough drawing depicting the fortifications of the Holy Trinity Trenches. At the top, on the right, the inscription: HODÓW; along the right edge, a semi-circular inscription: 11 CZERWCA (JUNE) 1694.
On the reverse on the right, the bust of Fryderyk Skarbek; on the left, a page of an open book with the inscription in microlettering: “a set of powers and ways used by a nation/ to keep the physical / existence of its members, [...] and to improve this existence,” which is a fragment of the definition of the national economy by F. Skarbek. Below the book, the inscription: 1792-1866. At the top, a semi-circular inscription: FRYDERYK SKARBEK.